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This video is sponsored by NVIDIA and Puget Systems. Explore the best GPUs from NVIDIA, including the GeForce RTX 50 Series, and discover the top custom PC workstations with a Puget System. https://www.nvidia.com/en-us/ai-on-rtx/ // https://puget.systems/go/159454 #AIonRTX I'll be doing a deep dive into the techniques I used to recreate this shot. Join me LIVE on Oct 9th or watch the video on our site. Your subscription keeps us alive and independent! ► http://corridordigital.com/ Check out John Gaeta’s Neo Cinema project! Http://escape.ai Every once in a while, a shot comes along that pushes the art form forward. It advances cinematic language, or action filmmaking, or visual effects. Bullet Time did all three. I'm gonna try to recreate it with nothing but a personal computer and a coupla phones. TECH DETAILS ------------- Hey whaddup everybody. Interested in some deeper details on how I approached this shot? I got you covered- I'm using a Wan 2.1 + VACE workflow here in order to interpolate the keyframes. Utilizing the VACE add-on, you are able to control the Wan 2.1 video model in some pretty unique ways. In this case I'm triggering an inpainting pass, which is controlled by a mask, as well as a neutral gray area in the video frame that will be filled in. This can be used to remove objects in frame, or to bridge a temporal gap between frames. I'm running this process in ComfyUI, and if you'd like to check out my workflow, you can find it here: https://drive.google.co...